**AMAZON’S BILLION-DOLLAR BLUNDER: “RINGS OF POWER” TANKS AS VIEWERS FLEE IN DROVES**

The Passionate Fandom of Sci-Fi and Fantasy

It’s often misunderstood that fans of science fiction, fantasy, superheroes, comic books, and gaming are overly critical and enjoy complaining about subpar content. While there may be some truth to this, it’s essential to acknowledge that these fans are often the driving force behind the success of these franchises. They’re the ones who buy tickets, merchandise, and passionately support their favorite stories.

When creative teams fail to deliver high-quality content, it’s natural for fans to express their disappointment and frustration. This reaction is similar to that of sports fans who see their beloved team struggling to perform. It’s only human to demand better from those responsible for bringing these iconic stories to life.

One of my all-time favorite works of fiction is J.R.R. Tolkien’s Lord of the Rings. I devoured the books in middle school and have revisited them numerous times since. When Peter Jackson adapted the trilogy into films, I was thrilled to see the books done justice. However, his subsequent adaptation of The Hobbit fell short, stretching a simple, youthful tale into three tedious movies.

Fast-forward to the recent Rings of Power series, which has sparked widespread criticism from fans and critics alike. Despite its massive budget, the show has failed to capture the essence of Tolkien’s work. The latest season has seen a significant decline in viewership, with many fans expressing their discontent.

One of the primary issues lies in the showrunners’ misguided attempts to humanize the Orcs, turning them into sympathetic, loving characters rather than the embodiment of evil as originally portrayed. The introduction of Tom Bombadil, an enigmatic figure, has also fallen flat, and the character of Galadriel has been reduced to a petulant child.

The problem lies not with the fans, but with the creators who are attempting to imitate Tolkien’s style without successfully capturing his vision. The original novels are a masterclass in world-building, linguistics, and storytelling, with Tolkien’s prose transporting readers to a fully realized Middle Earth. In contrast, the TV series lacks the depth, complexity, and vivid language that makes the books so beloved.

As the viewership numbers continue to decline, it’s clear that the show’s creators are to blame for this disaster. Rather than blaming the “toxic” fandom, they should take responsibility for their own shortcomings in adapting Tolkien’s work.

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